- Now that we've updated the raw files,
and have stored the information with them,
they're ready for merging,
and this is very easy to invoke from Adobe Bridge.
Simply select the range of images you wanna work with.
In this case, I'll grab this range here.
I have a little bit of overlap that I don't actually need.
Technically, these images should do the trick,
from here to here,
but I'll be safe.
I like this nice, clean shot
that I shot for safety at the end.
With all of those images selected,
you can now choose Tools.
Photoshop.
Photomerge.
What this does is takes all of the images,
and it's gonna hand them off.
Now, you might get an Information that Photoshop
is currently busy.
This could be because you have a Dialog open
or something's running in the background,
but clicking the Yes button will cue the task,
and hand it off.
Now, everything is loaded into this window,
and one of the things I recommend is just take a look.
Make sure that you don't have any gaps
in your file numbering.
This case, 42, 43, four, five, six, seven, eight, nine,
50, one, two, three, four, five, six.
So I have no missing pieces, obviously,
due to the sequential numbering.
Beyond that, you can also take advantage of additional
geometric distortion correction.
This will attempt to fix any geometric issues
caused by perspective.
Now, it's quite tempting to tell it to
fill in areas with Content Aware,
but I recommend doing this pass afterwards,
where you can really spot the issues,
and target them using Content Aware or cloning tools.
That looks pretty good.
Everything is loaded and queued up.
I'll go ahead and remove any vignettes,
although the lens correction probably
took care of that already.
And all that's really left
is to choose from the different methods.